EWAN MCGREGOR

Date of Birth
31 March 1971, Perth, Perthshire, Scotland, UK

Birth Name
Ewan Gordon McGregor

Height
5' 10½" (1.79 m)

Mini Biography
Ewan Gordon McGregor was born on March 31, 1971 in Crieff, Scotland. At age 16, he left Crieff and Morrison Academy to join the Perth Repertory Theatre. His parents encouraged him to leave school and pursue his acting goals rather than be unhappy. McGregor studied drama for a year at Kirkcaldly in Fife, then enrolled at London's Guildhall School of Music and Drama for a three-year course. He studied alongside Daniel Craig and Alistair McGowan, among others, and left right before graduating after snagging the role of Private Mick Hopper in Dennis Potter's six-part Channel 4 series "Lipstick on Your Collar" (1993). His first notable role was that of Alex Law in Shallow Grave (1994), directed by Danny Boyle, written by John Hodge and produced by Andrew MacDonald. This was followed by The Pillow Book (1996) and Trainspotting (1996), the latter of which brought him to the public's attention. He is now one of the most critically acclaimed actors of his generation, and portrays Obi-Wan Kenobi in the first three Star Wars episodes. McGregor is married to French production designer Eve Mavrakis, whom he met while working on the television series "Kavanagh QC" (1995). They married in France in the summer of 1995 and have two daughters, Clara Mathilde and Esther Rose. McGregor formed a production company, with friends Jonny Lee Miller, Sean Pertwee, Jude Law, Sadie Frost, Damon Bryant, Bradley Adams and Geoff Deehan, called "Natural Nylon", and hoped it would make innovative films that do not conform to Hollywood standards. McGregor left the company in 2002.

Spouse
Eve Mavrakis (22 July 1995 - present) 3 children

Trade Mark
Mischievous smile

Scottish accent


Trivia
Former roommate of Jude Law. They are still close friends.

Ranked #36 in Empire (UK) magazine's "The Top 100 Movie Stars of All Time" list (October 1997).

Nephew of Denis Lawson.

Father of Clara Mathilde (born in February 1996) and Esther Rose (born on 7 November 2001).

Born at 3:45pm-CET

He met his wife, Eve Mavrakis, while filming for "Kavanagh QC" (1995).

Was originally up for the lead role in The Beach (2000/I), which would have reunited him with director Danny Boyle and screenwriter John Hodge who collaborated with McGregor on Shallow Grave (1994), Trainspotting (1996) and A Life Less Ordinary (1997). The role went to Leonardo DiCaprio. While McGregor blames studio influence for the casting decision he has not spoken to either Boyle nor Hodge since.

Originally auditioned for the role of Mercutio in the film Romeo + Juliet (1996). He later got his chance to work with "Romeo + Juliet" director Baz Luhrmann when he was cast as Christian in Moulin Rouge! (2001).

In the film Moulin Rouge! (2001) McGregor sang alongside Nicole Kidman.

Was presented with an honorary doctorate from the University of Ulster at a graduation ceremony in Belfast, Northern Ireland (5 July 2001).

His first name is pronounced "you-an".

He says that he was inspired to get into show business by his uncle, actor Denis Lawson. Lawson played Wedge Antilles in the original Star Wars trilogy.

Resides in North London, England with his family.

Slated to start filming 'Nautic' in Jamaica with Heath Ledger in a couple of months. However Ted Demme, who was picked to direct the film died suddenly at age 38 from a heart attack while playing basketball.

Early career dedicated almost exclusively to indie, low-budget, and non-feature films. When cast as Obi-Wan Kenobi in Star Wars: Episode I - The Phantom Menace (1999), an interviewer reminded him of his "aversion" to major films, and he replied "I know what I said, but, hey! This is Star Wars!".

Ranked #8 in the 2001 Orange Film Survey of greatest British actors.

Born to James Charles Stuart McGregor, a physical education teacher, and his wife Carol McGregor, née Lawson, a teacher and school administrator, he grew up in Crieff, Scotland.

Studied Alec Guinness' films in preparation for his role as Obi-Wan Kenobi in Star Wars: Episode I - The Phantom Menace (1999) and to ensure accuracy in everything from his accent to the pacing of his words.

Has a nephew (born in 1999).

Studied at the Guildhall School of Music and Drama in London for three years, graduating in 1992.

Received the Film Actor Award for Moulin Rouge! (2001) at the Variety Club Show Business Awards 2002.

Was a student in the year-long theatre arts program at Kirkcaldy College of Technology in the fall of 1988.

In 1987, after leaving school at age 16, he worked as a stagehand at Perth Repertory Theatre and had small roles in their productions.

Good friends with Texas lead singer Sharleen Spiteri.

His brother Colin is part of the RAF's Tornado display team who are based at RAF Lossiemouth in Scotland.

He and his uncle, Denis Lawson, have worked with two of the same directors. Both have been in Star Wars films, directed by George Lucas. His first film, Being Human (1994), was directed by Bill Forsyth, who also directed Lawson in Local Hero (1983).

Both he and Harrison Ford have worked for director Ridley Scott between Star Wars films. Ford made Blade Runner (1982) after Star Wars: Episode V - The Empire Strikes Back (1980), but before Star Wars: Episode VI - Return of the Jedi (1983). McGregor made Black Hawk Down (2001) shortly after filming Star Wars: Episode II - Attack of the Clones (2002), and thus before Star Wars: Episode III - Revenge of the Sith (2005).

Embarked on a motorcycle trip around the world along with his friend and fellow actor Charley Boorman (2004).

Was voted #9 in the Greatest Movie Stars of All Time (Channel 4).

Completed a trip from London to New York 'The Long Way Round' by riding a motorbike east, via Europe, Mongolia, Russia, Alaska and Canada to Manhattan over 115 days in 2004.

Was the original choice for the role of Jim in 28 Days Later... (2002), directed by Danny Boyle who has worked with Ewan three times previously (see above).

Ewan and his wife, Eve Mavrakis, have the same initials, even with her maiden name.

When filming in Star Wars: Episode I - The Phantom Menace (1999), he kept imitating the noise of the lightsaber during his fights. George Lucas explained many times that this would be added in by the special effects people later on. Ewan said "I keep getting carried away.".

Is a good friend of Naveen Andrews, star of the television series "Lost" (2004), from drama school.

While he usually takes his family along with him during his movie shoots, he left them at home during the shoot of Young Adam (2003).

Was the best man at Dougray Scott's wedding in 2000.

His "Star Wars" character, Obi-Wan Kenobi, goes by the call sign "Red Leader" in Star Wars: Episode III - Revenge of the Sith (2005). Wedge Antilles, who was played by his uncle, Denis Lawson, has the same call sign in Star Wars: Episode VI - Return of the Jedi (1983).

Is very particular about his children being photographed or seen on television. He strongly believes that just because he is famous, that should not give anyone the right to invade their privacy.

According to stunt coordinator Nick Gillard, he picked up the lightsaber swordfighting style very quickly. In an interview on the DVD of Star Wars: Episode I - The Phantom Menace (1999), Gillard commented that Ewan was probably faster than anyone else who was working on the film, including the stunt department.

Is a casual supporter of St. Johnstone Football Club.

Refused to have his wife and kids visit him on the set of Black Hawk Down (2001), because he felt the content was too violent and too bloody for them to see.

Has been involved in a campaign against the closure of the maternity wing of Perth Royal Infirmary, the hospital ward where he was born.

Distant cousin of The Sound of Music (1965) actress Heather Menzies-Urich.

Cousin of Lou Gish and Kay Curram.

Ewan, a UNICEF ambassador, adopted a 4-year-old girl from Mongolia, named Jamyan, whom he met while traveling around the world in 2004. (April 2006).

Is near sighted.

Before his trip around the world with Charley Boorman, he had a laser eye operation to improve his eyesight, so he didn't have to wear glasses or contact lenses.

His best friend is actor Charley Boorman, whom he traveled around the world with on motorbikes ("Long Way Round" (2004) trip). They met on the set of the 1997 movie The Serpent's Kiss (1997).

Considered for the role of Will Turner in Pirates of the Caribbean: The Curse of the Black Pearl (2003).

His uncle, Denis Lawson, was considered for the role of Captain Antilles in Star Wars: Episode III - Revenge of the Sith (2005).

September 2001: Attended the Royal Premiere of Moulin Rouge! (2001) alongside Kylie Minogue, Prince Charles and Nicole Kidman.

Was rumored to play James Bond in Casino Royale (2006); however, in interviews he said he'd be tempted if offered, but would turn it down as he didn't want to be tied down to an open-ended series. It is unknown if he was ever under serious consideration.

Although his motorcycles of choice include an MV Agusta F4S and a KTM Duke, McGregor and pal Charley Boorman each rode a BMW 1150GS Adventure for their marathon trip around the world in "Long Way Round" (2004).

He actually dropped out of school because his mother wanted him to.

Befriended Colin Farrell during the shooting of Cassandra's Dream (2007).

Good friends with Black Hawk Down (2001) co-star Hugh Dancy.

Had two moles, one just below his right eye and one on his forehead, removed after doctors advised him to do so, because the one near his eye was cancerous. [2008]

Older brother, Colin McGregor, is a pilot in the Royal Air Force.

Quit drinking alcohol in November 2000.

He was awarded the OBE (Officer of the Order of the British Empire) in the 2013 Queen's New Years Honours List for his services to drama and charity.


Personal Quotes
Actually, I really want to play Princess Leia. Stick some big pastries on my head. Now, that would be interesting.

I'm doing my bit for the women's movement. The women have always been naked in movies and now I'm just desperate to take my clothes off as much as possible.

I've been waiting nearly twenty years to have my own lightsaber. Nothing's cooler than being a Jedi Knight.

"Isn't Halle Berry the most beautiful woman? I have a film I'd like to be in her with. I mean, I'd like to be with her in" - At the 2002 Golden Globe Awards commenting to Melissa Rivers on Halle Berry, who just walked by.

It's a great feeling of power to be naked in front of people. We're happy to watch actual incredible graphic violence and gore, but as soon as somebody's naked it seems like the public goes a bit bananas about the whole thing.

I won't buy into the Hollywood thing... I want to be in good movies.

I was with a friend of mine recently who was dying and while he was lying there with his family around his bed, I just knew that was it, that was the best you can hope for in life - to have your family and the people who love you around you at the end.

I fight cynicism. It's too easy. It's really boring. It's much harder to be positive and see the wonder of everything. Cynicism is a bunch of people who aren't as talented as other people, knocking them because they make them feel even more untalented.

[My fans] say, 'I've seen Star Wars and Moulin Rouge!. What else should we try to see you in?' I always tell 'em to get The Pillow Book (1996). That would be a bit of an eye-opener for them, wouldn't it?

My uncle would appear back from London, where he lived in the 70s, in sheepskin waistcoats and beads and no shoes. As an actor he had something about him that I liked and wanted to have. So that's one element: to be like my uncle, to be different.

My brother is two years older than me and he was brilliant at everything, it seemed. He was captain of the cricket and rugby teams. We had this rather archaic system of head boys and prefects at my school. I was in my fourth year - in Scotland we finish school in our sixth year - and my brother had become head boy and brilliant at everything: academia, sports. In fact, all the things I wasn't good at. Then he left and I couldn't get my head round anything, so I became depressed and got in trouble a lot. I remember my mother driving me one night through heavy rain, with the windscreen wipers going. It was the first half term of my fifth year and she said that she'd spoken to my dad and that I could leave school if I wanted to. I'd only assumed that I'd have to stick it out until I was 18, but here I was being offered the chance to leave at 16. My whole world opened up. I couldn't believe it. And I was out, as soon as she said those words.

It taught me a lesson which was an actor should not say, "I won't do that." Once you've agreed the script, you must be willing to go as far as it needs to go on set. With some directors, you do the scene and they say that it's fine, but you think to yourself, "Is that really enough? Is there not more?"

It's not my job to try and alter the director's style - he's in charge, and I'll always give him my trust. I think what happens is that you learn how to deal with it if you're not getting the support you need or if you're not being pushed. Occasionally you're doing two jobs at once: you're fooling the director into thinking you've taken his note while doing what you think is better. It hasn't happened very often, but it's an awful thing when you lose your trust in a director. But it's not for me to say.

...as an actor there's nothing better than a great moody moment to play with nothing to say. It's so much easier to do because you can really get inside your head.

That was my challenge - to be a young Alec Guinness. People would come up and say to me, "You sound a bit like Alec Guinness. Did that just happen?" No! It's my job, you know? The thrilling bit about it was I immersed myself in Alec Guinness movies, and I found this great one called The Promoter (1952). God, it's a brilliant film.

Then I watched the first episode of Star Wars over and over again. I loved it as a kid. It was a bit funny to be paid for it. I'd say to my wife, "I've got to go and watch Star Wars again, Sorry. I just haven't quite got it..." Brilliant.

Doing the second one was interesting, because I'd never had to go back to play a character again. It was three years between the two episodes. It was a bit easier because I was more used to the technical demands. In other films you rehearse, crack the scene and shoot it. In Star Wars, that's not the case. It's a very different process with an enormous amount of blue-screen work. It's very difficult - you play scenes with people who aren't there. [on Star Wars: Episode II - Attack of the Clones (2002)]

Acting to mid-air is odd. There's a perverse pleasure to it when you get it right, but often you don't. Aliens are really hard. On the second one [Star Wars: Episode II] I was doing the scene with those tall ones - actually, I quite fancied the female one - and they've got actors there who will actually be providing the voices for the characters. They wore blue hard hats with cardboard cut-outs of heads taped on top of them. So you've got to remember not to talk to the people but to talk to the hats.

I love talking to kids about it, because they have great questions about how things work: "Do you have your lightsaber with you? [on Star Wars Episodes I and II]

It's strange to explain off camera what you have done in this or that scene. How redundant, like an artist explaining his painting. As much as I like watching movies I've been in, I can't watch myself in interviews. People shouldn't know how we do it.

I am a married man. I haven't been personally involved with all my leading ladies. It would maybe be somewhat glamorous if I had been, but I have not.

Filmmaking is like a series of problems that need to be solved. And the excitement, the adrenaline that you get from making a small film is that you all have to pull together. You finish and you feel like you're walking away from your family. I love that.

I've always thought as an actor, I'm not very clever about that, not very clear on it. My choices aren't about `OK, if I choose this film, that will let me carry on,' you know. Whether it is a big budget movie or a small budget movie, that isn't part of my decision.

Movies are so draining. They pull away from the actor, but theater just fills you up. I needed my fix.

The guy who's creating that character will create their responses off how you respond to their responses which aren't there. It's a nightmare! - about acting with digital characters in Star Wars: Episode II - Attack of the Clones (2002).

"I like George Lucas and Tim Burton because there's no messing about. No 100 takes of me walking through a door. They know what they want and when they get it, we move on. Naming no names but, with some directors, it's take after take and take 22 is the exact same as the first one".

In real life, you don't get up with the sheet after you've had sex. It's not like I'll play a carpenter and wear nothing but a tool belt while constructing a dresser. That's just not safe. Aussie Who Weekly 2002.

I needed to go and just find out exactly what it meant to be out and having fun in a kind of hedonistic and debauched environment. That's right, something I wasn't familiar with. [on researching for Moulin Rouge! (2001)]

Starting with a party scene for 600 cast and end up singing on top of a giant elephant...does it get any better than this? [on Moulin Rouge! (2001)].

Lying down from 50 feet, I was perfect. So I could really kill someone. Which is always good to know [on learning how to use a gun in Black Hawk Down (2001)].

Nicole, Knickers, as I call her. I would swear, burp and fart in front of her. I'd try and embarrass her and she would pretend to be shocked. I always played up on that. It was a real elder sister-younger brother relationship.

There is some really good crack when I come back here. This is where I learned to swear. [on coming home to Scotland.]

I smoke a lot. I drink far too much-I don't exercise. I torture small animals. [on his sex appeal]

An airport customs inspector once recognized me from Trainspotting and strip searched me looking for drugs.

I'm naked a lot of the time, and they don't try to frame planted pots in front of my dick like they do in most other films. It's all part of the story, but they don't zoom in on it or anything and go, 'Cock shot!' I've been naked in almost everything I've been in, really. I have it written into my contract.

My dad saw my full package in The Pillow Book (1996) and said 'I'm glad to see you inherited one of my major attributes'.

I hated Clueless (1995) with a passion. I thought it would have been a really good film if someone had blown her head off at the end with a really huge gun. I mean, this rich bitch suddenly becomes charitable and then she's okay? And then there's the token black friend. It was so corrupt, so L.A., I hated it.

I've always wanted to go to Hollywood, drive big cars and be in big movies. But I hope I won't do just any film to become a star. I just want to carry on working, acting. I don't want to direct or write. I think making films is brilliant. I get excited just going on a film set. Going on location is amazing, hanging about with all these film people doing their thing. If I bump into a star I get all star-struck.

He's quite the gentleman, Obi-Wan. But I don't think he'd have any problems pulling if he wanted to. You know, as a Jedi, he's not allowed to fall in love or get involved with that. So I suppose by now, he's just got really big balls. Empire Magazine June, 2002.

I started watching golf for the first time yesterday. I'm really worried about myself. I was actually enjoying it.

My lightsaber flew out of my hands. No one tells you the sabers have about 10 'D'batteries in them. They burn your hands... I tossed the saber in the air and it ended up hitting a technician in the head. [Twist Magazine]

He's quite extraordinary with his moves and spins. I think he was a baton girl in a past life [on his co-star Hayden Christensen].

I've got a black woolen hat and it's got Pervert written across the front of it. It's the name of the clothing label. And I was with my wife and my baby at the supermarket and I didn't think. I just put my hat on Clara's head, because it was cold. And the looks. I couldn't figure out why I was getting death looks. And then I realized my 10-month old baby's wearing a hat with the word Pervert written on it and these people were like, 'There's Satan! There's Satan out with his kid!' And then I made a point of her wearing it every time we went there [on an experience during the filming of A Life Less Ordinary (1997) in Utah].

People are incredibly rude about it sometimes. Like, 'What? You're married?' Strange reaction to have. Proves what people's ideas about marriage are. 'We're having a baby.' 'What?' As if it's the end of the world. Of course, it's the start of a brilliant world.

From Velvet Goldmine (1998), I got fond of wearing nail polish and eye makeup. I used to wear it quite a lot. We all wear makeup when we go to events - men and women alike. I've also had some good makeup artists, and I like to let them have a good time. I don't think we should pretend we're not wearing makeup when we are. I quite like the look of it.

When I played Obi-Wan Kenobi in the Star Wars prequels, I had to transform myself into a young Alec Guinness. I watched his early work to see what he was like on screen. It is interesting how he is only remembered by people younger than myself for appearing in Star Wars. He played a wealth of characters in lots of films - it was like he was the British film industry.

[on his decision to quit cigarettes and alcohol] I wasn't someone who could smoke or drink in moderation, and I recognized that those things would kill me. I started visualizing the doctor telling me that I had cancer from smoking or that I was extremely ill because of how much I'd been drinking. What kind of regret would I have if I had to tell my children or my wife that I was dying because of something I could have done something about? I didn't want to be that kind of man.

In your 20s, you spend a lot of time being self-conscious about what other people think of you. Then you hit your mid-30s and start to realize they weren't really thinking about you that much.

[on rejecting the idea of a Trainspotting (1996) sequel] I wouldn't want to damage Trainspotting (1996)'s reputation, because it was an amazing film and a very important film of its time, a very important film for me and... a very important film for British cinema. I wouldn't want to leave people remembering a poor sequel rather than leaving its reputation where it sits at the moment, which is kind of a phenomenal film.

There was talk that Disney fended off the release [of I Love You Phillip Morris (2009)] until after A Christmas Carol (2009) came out. They didn't want kids thinking [Jim Carrey's] "Ebenezer Scrooge" was a bender.

[on I Love You Phillip Morris (2009)] - I'm very keen that it's a gay movie. There was quite a lot of talk at Sundance (in 2009) that 'Well, it's not a gay movie. It's a film about guys who happen to be gay'. And I was thinking, it's nothing but a gay movie. It's about a gay couple, about a man's sexuality, and he comes out. It's not the point of the film, but let's not pretend it's not a gay film.

I like kissing boys on screen. As a straight guy, it's quite an interesting proposition. Anything on a film set that takes you by surprise like that, that gets your blood up, is good.

I'm always interested in playing different people, in different situations. It doesn't matter to me whether someone is in love with a man or a woman. I find the idea of love and romance interesting. I'm a sucker for it. I like playing someone who's falling in love because I like the sensation of it. People do extraordinary things when they're falling in love.

I go on my gut instincts. Occasionally, the thought of working for a director pricks up my ears, or being alongside an actor gets me interested, But if the story can't live in my head when I read the script, I feel I can't be bothered to live with it on set.

... There's many different factors in films. The script, I always believe, is the foundation of everything. And if you don't connect to that foundation, if you don't believe in that and feel that you wanna spend three, four months of your life exploring it, then all of the other elements are secondary. But if you've got a great foundation in the script, and you like the story... Sometimes it's the story, sometimes it's the atmosphere in the script, the world that you're gonna create. There's many different things that hook you in, and then, on top of that, you have who's directing, who are the other actors, who's lighting-those creative elements that come in. Everyone's tied to the script. I think the script is the key. Regardless of how great everybody else is working on a film, if you're working on a script that you don't think is great, you're not gonna be able to make a great film. Whereas if the script is great, then you can.

(On quitting drinking) I would soon have gotten a reputation for being a drunk actor and therefore would not get any work, so I really felt it was time to give it up. But I remember doing interviews, drinking and smoking, just saying, "I am never, ever going to fucking stop!" And I said it with real pride, you know? 'Cos I wanted to be the best drinker as well as everything else and that's a really bad slippery slope. So it's much easier now and my work's much better. I find that life in general's much more fun without it. My wife's delighted that I stopped, because I'm much more present in our marriage and I'm a much better father. I remember, funnily enough, the last time I had a drink. I was sitting with these guys and we're all talking about how much we love our kids and I thought, "Well, why are we all sitting in a pub? It's four in the morning. How much do we love our kids? Because tomorrow morning none of us will be any use to them." And I thought, "Fuck it." I don't have a problem with people drinking; it's something I chose not to do. It just took me a long time to grow up.

[on 'The Impossible'] When the script first came to me I wasn't sure about the idea. Would it be a disaster movie that was somehow spectacular? That would be so wrong. But as I read it, I got caught up in Maria's sense of courage. She seemed like a proper hero. Then I spoke to her and she said, no, that's not what it was about - it was all down to luck. She was really emphatic about that. She said, 'If anything I did was heroic,what would that mean for the others who weren't so lucky?'


Where Are They Now
(May 2005) Starring as Sky Masterson in "Guys and Dolls" in London West End

(April 2006) He and his wife, Eve Mavrakis, adopted a four-year-old girl from Mongolia.

(May 2007) Left John O'Groats (Scotland) with friend and actor Charley Boorman, marking the beginning of their 15,000 miles long southward trip on motorbike, "Long Way Down" (2007) (May 12, 2007).

(November 2007) Donmar Theatre, London West End, playing Iago in William Shakespeare's "Othello".

(May 2011) (May 22) Attended the 2011 Seattle International Film Festival for his film Beginners (2010).

(February 2012) In Chelsea, New York City filming The Corrections (2012) (TV).

(December 2012) London, England: Actor